Biography

Biography of Adachiara Zevi

Personal data

Born in Rome on September 18, 1947

Office:
Via del Portico d’Ottavia, 20/A

Tel. +39 06 6864962

Cell: +39 3404904859

E-mail: adachiara@tiscali.it

  

Scholarships

 1988-1987

              · Fulbright Research Grant, Department of Art History, Columbia University, New York.

  

Education and Qualifications

 1987                           · PhD in Contemporary Art History at the University of Bologna;

                                       Thesis: “Le Corbusier painter and sculptor”. Grade: 110 cum laude;

1979                           · Diploma at the International University of Art of Florence directed by Prof. Carlo
Ludovico Ragghianti at the conclusion of a course on the use of computers in
reading works of art;

1976                           · Degree in Architecture at the University of Rome La Sapienza with a thesis in urban planning.
Grade: 110/110;

1964                           · High School Diploma at the “Giulio Cesare” High School in Rome.

  

Academic Activity

 Teaching

2004-1992                  · Full Professor of Art History at the Academy of Fine Arts in Naples;

1992-1989
              · Full Professor of Art History at the Academy of Fine Arts in Palermo;

1989-1988
              · Assistant Professor of Art History at the Academy of Fine Arts in Rome;

1987-1984
              · Assistant Professor of Art History at the Brera Academy of Fine Arts in Milan;

1983                           · Summer course in Design at the Professional Training School of the Marche Region;

1984-1980
              · Assistant Professor of Art History at the Academy of Fine Arts in Bologna;

1980-1977
              · Assistant Professor of Fine Arts at the Academy of Fine Arts in Florence;

1977-1976
              · Assistant Professor of Fine Arts at the Academy of Fine Arts in Macerata.

 

Honours

since 2019                · Member of the scientific committee of the magazine “Critica d’Arte”, Fondazione

Ragghianti, Lucca;

since 2018
              · Member of the scientific committee of the CDEC (Center of Contemporary Jewish
Documentation) in Milan;

2018                            · Order of Merit of the Federal Republic of Germany;

since 2017
              · Advisor at the American Academy in Rome;

2016                           · Member of the scientific committee for the relocation of the Italian Auschwitz
Memorial in Florence;

since 2015
              · Member of the research group for the memorial project of the Villa Emma Foundation in
Nonantola (MO);

since 2012               · President of the Cultural Association Arte in Memoria, Rome;

2011                            · Scientifi consultant for the National Museum of Italian Judaism and the Shoah (MEIS) of
Ferrara;

since 2002               · President of the Bruno Zevi Foundation, Rome.

 

 Exhibitions

 2023                            · Arteinmemoria 11, Synagogue in Ostia Antica, Rome, January 28-April 16;

2019                           · Arteinmemoria 10, Synagogue in Ostia Antica, Rome, January 20-April 14;

2018                           · Biagio Rossetti secondo Bruno Zevi, Fondazione Bruno Zevi, Rome (with Francesco Ceccarelli and Matteo Simonetti), November
15, 2018-March 11, 2019;

2017                           · Arteinmemoria 9, Synagogue in Ostia Antica, Rome, January 22-April 18;

2016                           · Urban Mining/Rigenerazioni Urbane, MaGa, Gallarate (VA), May 14- September 18;

                                       · Jannis Kounellis, Negev Museum of Art, Beer-Sheva (Israel), December 15, 2016-April 1, 2017;

2015                           · Arteinmemoria 8, Synagogue in Ostia Antica, Rome, January 18-April 12;

2013                           · Arteinmemoria 7, Synagogue in Ostia Antica, Rome, January 20-April 13;

2012                           · Sol LeWitt: l’artista e i suoi artisti, MADRE Museo d’Arte Contemporanea Donna Regina, Naples, December 14, 2012-April 1, 2013;

                                       · Gaetano Pesce: Omaggio a Bruno Zevi anticlassico, Galleria Nazionale d’Arte Moderna, Rome, October 24, 2012-January 27, 2013;

2011                           · Giuseppe Penone, Haunch of Venison, London, May 27-August 20;

                                       · Arteinmemoria 6, Synagogue in Ostia Antica, Rome, January 30-April 3;

2010                           · Carla Accardi, Haunch of Venison, New York, May 10-June 26;

2009                           · Enrico Castellani, Haunch of Venison, New York, May 8-June 27;

· Enrico Castellani, Dan Flavin, Donald Judd, Gunther Uecker, Haunch of Venison, London, September 10-October 31;

                                       · Arteinmemoria 5, Synagogue in Ostia Antica, Rome, January 25-April 15;

2007                           · Arteinmemoria 4, Synagogue in Ostia Antica, Rome, January 28- March 25;

                                       · Jannis Kounellis, Jaffa Port, Jaffa, September 6-December 30;

2006                           · Arteinmemoria 3, Galleria Nazionale d’arte Moderna, Rome, January 27-March 15;

                                       · Eur: se Terragni avesse vinto, Casa dell’Architettura, Rome, April 18-May 6;

2005                           · Kounellis Santa Fe, Isola Madre-Isole Borromeo, Lago Maggiore, May 28-August 29;

                                       · Arteinmemoria 2, Synagogue in Ostia Antica, Rome, January 27-March 15;

2004                           · Mario Deluigi. Grattages, Complesso Monumentale di San Michele a Ripa Grande, Rome, December 13, 2004-January 31, 2005;

2003                           · “L’architettura” in copertina, Fondazione Bruno Zevi, Rome, May 22-June 30;

                                       · Sol LeWitt, Mimmo Paladino, Sala Murat, Bari, June 7-August 24;

2002                           · Arteinmemoria 1, Synagogue in Ostia Antica, Rome, October 16- November 30;

2001                           · Giovanni Anselmo, Atelier del Bosco, Accademia di Francia a Roma, Villa Medici, March 27;

1999                           · Jannis Kounellis, Templo de San Agustin, Mexico City, November 1999-March 2000;

1998                           · Gunther Forg, Atelier del Bosco, Accademia di Francia a Roma, Villa Medici, April 19;

                                       · Gordon Matta-Clark, Sergio Casoli Gallery, Rome, May 21-July 15;

1997                           · Disegni a mano libera per Ovidio Bompressi, Giorgio Pietrostefani, Adriano Sofri, Opera Paese, Rome, June 26-July 6;

1996                           · Dadamaino, Konstruktive und Konkrete Kunst, Zurich, April 12-June 9;

1995                           · Emilio Prini, Ancienne Douane, Strasbourg November 4, 1995-January 14, 1996;

                                       · Accumulazioni: Sol LeWitt, Mario Merz, Jan Dibbets, Zerynthia Associazione per l’Arte Contemporanea, Paliano (FR), July 22;

· Ambiente Arancio di Carla Accardi, Zerynthia Associazione per l’Arte Contemporanea, Rome, June 1-September 1;

1994                           · Sol LeWitt Wall Drawings, Zerynthia Associazione per l’Arte Contemporanea, Paliano (FR), July 2;

1993                           · Three Artistic Generations in Contemporary Italy, Tel Aviv Museum of Art, Tel Aviv, December 2, 1993-January 8, 1994;

1992                           · Gerhard Richter Montagne, Zerynthia Associazione per l’Arte Contemporanea, Rome, October 3-December 6;

1991                           · Dan Graham, Pieroni Gallery, Rome;

                                       · Enrico Castellani, Netta Vespignani Gallery, Rome, February-March;

1989                           · Enrico Castellani e Francois Morellet, Giuli Gallery, Lecco, November, 1989-January, 1990;

1988                           · Enrico Castellani, Galerie Di Meo, Paris, February 19-March 26;

1987                           · Franz Kline, Marconi Gallery, Milan;

                                       · Enrico Castellani, Totah Gallery, New York, May-June, Totah Gallery, London, December;

                                       · Piero Dorazio, Niccoli Gallery, Parma, April 4-May 5;

1985                           · Piero Dorazio, Pinacoteca Comunale di Ravenna, Ravenna, October 19-December 1;

1984                           · Enrico Castellani, Pinacoteca Comunale di Ravenna, Ravenna, June 9-September 16.

 

 

Publications

 

2023                           · A. D’Alessio, A. Zevi (ed. by), La Sinagoga di Ostia antica: 60 anni dalla scoperta 20 anni di Arte in Memoria, Conference Proceedings, Ostia antica,  October 28, 2021, Iacobelli Editore, Rome 2023;

                                       · “Monumenti: fascisti, moderni, invisibili” in C. Belmonte (ed. by), A     Difficult Heritage: The Afterlives of Fascist-Era Art and Architecture, Studi  della Bibliotheca Hertziana, Cinisello Balsamo (Milan), Silvana Editoriale;

2022                            · “Artisti e architetti: incontri reali, incontri ideali”, in S. Setti (ed. by), Sintesi astratta. Espressioni e risonanze dell’arte astratta in Italia, 1930-1960, Electa, Milan;

· “Artisti e architetti, fate pace”, in “Il giornale dell’arte”, n. 434, December 2022;

· “Omologazione e revisionismo: il caso Eur a Roma” in L. Quercioli Mincer (ed. by), Arte visiva, luogo e memoria: testimonianza e radicamento, Genova University Press, November 2022;
· “La Sukkah come paradigma frugale”, in A. Spagnoletto, S. Reichel (ed.), Sotto lo stesso cielo la festa di Sukkot, exh. cat, Museo Nazionale dell’Ebraismo Italiano e della Shoah, 14 October 2022-5 February 2023, Silvana Editoriale, Cinisello
Balsamo, Milan 2022;

· Picciotto L., Zevi A.(eds.), “Comunità solidali ieri e oggi. Nonantola oltre Villa Emma”, La Rassegna Mensile di Israel, vol.86, n.2-3, May-December, 2020;

2021                            · “Irritationen im öffentlichen Raum. Stolpersteine in Italien” in S. Kavčič, T. Schaarschmidt, A. Warda, I. Zündorf (eds.), Steine
des Anstoßes, Metropol Verlag, Berlin;

                                    · Introduction to I. C. Popper, Through the Eyes of an Architect, the Soul of an Artist: Marcel Janco and Ein Hod Artist Colony, Bruno Zevi Prize 2019, Ed. LetteraVentidue, Siracusa;

                                    · “Una bellissima scoperta”, in Pinuccia Bernardoni. Scolpire geometrie, Danilo Montanari Editore, Ravenna;

2019                           · “Contro l’idolatria” in Corà, B., (ed.), Corrado Cagli. Folgorazioni e mutazioni, exh. cat., Palazzo Cipolla, Rome, November 8,
2019-January 6, 2020, Silvana Editoriale, Milan;

· Arteinmemoria 9, exh. cat., Synagogue in Ostia Antica, Rome, January 22–April 18, 2017, Associazione Arte in Memoria, Rome;

· Introducion to Altenhof, T., La casa-comignolo. Lo spazio vitale di Erich Mendelsohn a Luckenwalde, Bruno Zevi Prize 2018, Edizioni Fondazione Bruno Zevi, Rome;

2018                           · “Between Humanism and Calvinism”, in Stocchi, F. (ed.), Sol LeWitt. Between the Lines, exh. cat., Fondazione Carriero,
Milan, November 17, 2017–June 24, 2018, Koenig Books, London;

                                       · Monuments par défaut. Architecture et mémoire depuis la Shoah, Editions de la revue Conférence, Paris;

· “Arte in Memoria a Ostia Antica”, in Gallo, F., Storini, M.C. (eds.), Antico/contemporaneo: sguardi, prospettive, riflessioni
interdisciplinari alla fine della modernità, conference proceedings, Università La Sapienza, Rome, May 23, 2016, Sapienza Università Editrice, Rome;

· Introduction to Dainese E., La formulazione della “Carta dell’habitat”: dalla città funzionale al villaggio africano, Bruno Zevi Prize 2017, Edizioni Fondazione Bruno Zevi, Rome;

· Introduction to Gli architetti di Zevi, exh. cat., MAXXI, Rome, April 25-September 23, Quodlibet, Macerata;

2017                            · Arteinmemoria 8, exh. cat., Synagogue in Ostia Antica, January 18–April 12, 2015, Associazione Arte in Memoria, Rome;

                                       · Arteinmemoria 7, exh. cat., Synagogue in Ostia Antica, January 20–April 13, 2013, Associazione Arte in Memoria, Rome;

· Introduction to Bortot A., Filosofia naturale e arte della meraviglia nella Roma barocca, Bruno Zevi Prize 2016, Edizioni Fondazione Bruno Zevi, Rome;

                                       · “A Ubiquitous Memorial”, in Gitler, I. B. (ed.) Monuments and Site-Specific Sculpture in Urban and Rural Space,
conference proceedings, Ben-Gurion University of the Negev, Beer-Sheva (Israel), December 18, 2014, Cambridge Scholars Publishing;

                                       · “Giorno della Memoria”, in Portelli, A. (ed.), Calendario civile, Donzelli Editore, Rome;

                                       · Jannis Kounellis, exh. cat., Negev Museum of Art, Beer-Sheva, December 15, 2016–April 1, 2017, Har-El Printers & Publishers, Jaffa;

2016                           · Introduction to Stoppioni B., Germania Anno Zero-tra storia e mito, Bruno Zevi Prize 2014, Edizioni Fondazione Bruno Zevi, Rome;

                                       · “City”, in Urban Mining/Rigenerazioni Urbane, exh. cat., MA*GA, Gallarate, May 14–September 18, Corraini Editore, Mantua;

                                       · Sol LeWitt, exh. cat., Galleria Vistamare, Pescara, October 31, 2015–March 15, 2016, Edizioni Vistamare Benedetta Spalletti, Pescara;

                                       · “Nel gioco della storia”, in Corà B. (ed.), Alberto Burri: lo Spazio di Materia – tra Europa e Usa, exh. cat., Fondazione Palazzo Albizzini, Collezione Burri, Città di Castello (PG), September 24, 2015–January 6, 2017;

                                       · “Quale Memoriale?”, in “La Rassegna Mensile di Israel”, vol. LXXXI, No. 2-3, May-December 2015, Giuntina, Florence;

2015                           · “Ebreo di Autoelezione”, in Gagliardi, D.M. (ed.), Fabio Mauri. Archivio di memoria, Numero Cromatico Editore, Rome;

2014                           · Introduction to Solomita P., Pier Luigi Nervi architetture voltate. Verso nuove strutture, Bruno Zevi Prize 2013, Edizioni Fondazione Bruno Zevi, Rome;

                                       · Monumenti per difetto. Dalle Fosse Ardeatine alle pietre d’inciampo, Donzelli Editore, Rome;

2013                           · Introduction to Kahatt, S., PREVI-Lima: architettura come opera aperta collettiva, Bruno Zevi Prize 2012, Edizioni Fondazione
Bruno Zevi, Rome;

                                       · Introduction to 2002-2012 Gaetano Pesce per la Fondazione Bruno Zevi, Edizioni Fondazione Bruno Zevi, Rome;

2012                           · Kounellis Jaffa Port, exh. cat., Hangar I, Jaffa Port, September 6–December 30, 2007, Har-El Printers & Publishers, Jaffa;

                                       · Introduction to Ghia, M. C., Basta esistere. Leonardo Ricci: il pensiero e i progetti per le comunità, Bruno Zevi Prize 2011,
Edizioni Fondazione Bruno Zevi, Rome;

                                       · Introduction to Gamba, C., Zevi, A. (eds.), Progettare per non essere progettati: Giulio Carlo Argan, Bruno Zevi e l’architettura,
conference proceedings, MAXXI, Rome, September 28, 2012, Edizioni Fondazione Bruno Zevi, Rome;

                                       · L’Italia nei wall drawings di Sol LeWitt, Electa, Milan;

                                       · La Memoria e l’Immagine, Incontri in Senato, conference proceedings, Palazzo Giustiniani, Rome, October 11, 2011;

2011                           · La Memoria e l’Immagine, Incontri in Senato, conference proceedings, Palazzo Madama, Rome, October 13, 2010;

                                       · “Musei ebraici: per quale arte?”, in “La Rassegna Mensile di Israel”, vol. LXXV, No.1-2, January-August 2009, Giuntina, Firenze;

                                       · Giuseppe Penone, exh. cat., Haunch of Venison, London, May 27–August 20;

· Introduction to Ardizzola, P., La linea eterodossa di Bruno Taut in Turchia, ovvero una possibile conciliazione tra tradizione e modernità, Bruno Zevi Prize 2010, Edizioni Fondazione Bruno Zevi, Rome;

                                       · Arteinmemoria 6, exh. cat., Synagogue in Ostia Antica, January 30–April 3, Fondazione Volume!, Rome;

2010                           · Introduction to Kulic, V., Architettura e politica dell’interpretazione: il caso del Generalstab a Belgrado, Bruno Zevi Prize
2009, Edizioni Fondazione Bruno Zevi, Rome;

                                       · Introduction to Una guida all’architettura frugale, Edizioni Fondazione Bruno Zevi, Rome;

                                       · Arteinmemoria 5, exh. cat., Synagogue in Ostia Antica, January 25–April 15, 2009, Incontri Internazionali d’Arte, Rome;

                                       · “Arteinmemoria”, in Borrelli, D. and Di Cori, P. (eds.), Rovine future, conference proceedings, Que reste-t-il…? Rovine future. Resti e rifiuti come depositi del possibile, Palazzo Granafei Nervegna, Brindisi, November 5-6, 2008; Lampidistampa, Milan;

                                       · Carla Accardi, exh. cat., Haunch of Venison, New York, May 10–June 26;

                                       · “Arte e spazio pubblico”, in XXI secolo. Gli spazi e le arti, Istituto della Enciclopedia Italiana, Rome-Catanzaro;

2009                           · Introduction
to Ceferin, P., Trasformare la realtà con
l’architettura: il contributo
finlandese, Bruno
Zevi Prize 2008, Edizioni Fondazione Bruno Zevi, Rome;

                                       · Enrico Castellani, exh.
cat., Haunch of Venison, New York, May 8–June 27;

                                       · “The Most Impressive Show That I Didn’t See But I Wanted to”, in Sol LeWitt 100 Views, exh. cat., MASS
MoCA, North Adams, MA, 2008–2033, North Adams and Yale International Press, New Haven and
London;

                                       · Enrico Castellani, Dan Flavin, Donald Judd, Gunther Uecker, exh. cat., Haunch of Venison, London, September 10–October 31;

                                       · “Arte in memoria”, in Di Ruscio, L., Gravina, R., Migliau, B., Terracina, S. (eds.), Identità diversità memoria, conference
proceedings, FNISM-Sezione Roma, Regione Lazio, Provincia di Roma, Rome;

2008                           · Introduction to Una guida all’architettura moderna dell’EUR, Edizioni Fondazione Bruno Zevi, Rome;

                                       · Introduction to Lima, Z., Verso un’architettura semplice, Bruno Zevi Prize 2007, Edizioni Fondazione Bruno Zevi, Rome;

                                       · “Ospite o titolare?”, in Risonanze#2 Giulio Paolini & Fabio Vacchi, exh. cat., Auditorium Parco della Musica, Rome, May 9–June 15, Silvana Editoriale Spa, Cinisello Balsamo (MI);

                                       · “L’insegnamento storico come atto critico”, in Per l’arte con gli artisti, a tribute to Jole de Sanna, conference
proceedings, Accademia di Belle Arti di Brera, Milan, April 13, 2005;

                                       · “Una felice corsa”, in Bernardoni, P., Da 1 a
10, Edizioni Aspasia, Bologna;

2007                           · Arteinmemoria 3-4, exh. cat., Galleria Nazionale d’Arte Moderna e Contemporanea, Rome, January 27–February
10, 2006, Synagogue in Ostia Antica, January 28–March 25 2007, Incontri
Internazionali d’Arte, Rome;

                                       · “A(l) tavola(o) con Salvadori”, in Salvadori R., Continuo Infinito Presente, Fattoria Montellori, Fucecchio (FI);

2006                           · Arteinmemoria 2, exh. cat., Synagogue in Ostia Antica, January 27–March 15, Incontri
Internazionali d’Arte, Rome;

                                       · Peripezie del dopoguerra nell’arte italiana, Einaudi, Turin;

                                       · Introduction to Asse Attrezzato e Studio Asse, exh. cat. and conference proceedings, Accademia Nazionale di San
Luca, Rome, March 8–April 8, Edizioni Fondazione Bruno Zevi, Rome;

                                       · “Una vocazione spaziale” in Ettore Spalletti, exh. cat., Accademia di Francia a Roma, Villa Medici, May 11–July 16;

2005                           · “Interview with Dan Graham”, in Dan Graham Half Square Half Crazy, Charta, Milan;

                                       · Kounellis Santa Fe, exh. cat., Isola Madre-Isole Borromeo, Lago Maggiore, May 28–August 29, Fondazione Achille e Giulia Boroli, Milan;

                                       · Introduction to Comunicare l’architettura, conference proceedings, Fondazione Adriano Olivetti, Rome, May 9, 2002; Palazzo Reale, Naples, October 4, 2003, Edizioni Fondazione Bruno Zevi, Rome;

2004                           · “Un astrattista tridimensionale”, in Mario Deluigi, exh. cat., Complesso monumentale San Michele a Ripa Grande ex
Carcere Minorile, December 13, 2004–January 31, 2005, Edizioni Fondazione Bruno Zevi, Rome;

                                       · “An Engaged Modern Painter”, in Jannis Kounellis, exh. cat., Museum of Modern Art, Oxford, December 15–March 20, Modern Art Oxford;

2003                           · Introduction to “L’architettura” in copertina, exh. cat., Fondazione Bruno Zevi, Rome, May 22–June 30, Edizioni
Fondazione Bruno Zevi, Rome;

                                       · Arte in memoria, conference proceedings, Centrale Montemartini, Rome, October 17, 2002, Incontri
Internazionali d’Arte, Rome;

                                       · “Un rosone che orienta lo spazio”, in Sol LeWitt, Mimmo Paladino, exh. cat., Sala Murat, Bari, June 7–August 24,
Hopefulmonster, Turin;

2002                           · “Architettura all’arte”, in “Lotus”, No. 113, Milan;

                                       · Arteinmemoria 1, exh. cat., Synagogue in Ostia Antica, October 16–November 30, Incontri Internazionali d’Arte, Rome;

2001                           · Giovanni Anselmo, in Atelier del Bosco di Villa Medici, exh. cat., Accademia di
Francia a Roma, Villa Medici, March 27;

                                       · “Enrico Castellani e l’attualità di ‘Azimuth’”, in Enrico Castellani, exh. cat., Fondazione Prada, Milan, April 26–June 14,
Fondazione Prada, Milan;

                                       · “Jannis  Kounellis: il debito con la storia”, in Jannis Kounellis, exh. cat., Museum Pecci, Prato, June 9–September 9, Gli Ori/Museo Pecci, Prato;

· Review for Lee, P.M., Object to Be Destroyed: the Work of Gordon Matta-Clark, in ”The Art Bulletin”, vol:LXXXIII. N.3, September, 2001, pp. 569-574;

2000                           · Fosse Ardeatine, Universale di Architettura, Testo&Immagine, Turin;

                                       · Arte USA del Novecento, Carocci Editore, Rome;

· “Squeri d’arte alla Biennale”, in “Lotus”, N. 105, Milan;

                                       · Sol LeWitt, exh. cat., Palazzo delle Esposizioni, Rome, May, Palazzo delle esposizioni PdE Edizioni, in
collaboration with Castelvecchi Arte, Rome;

                                       · Jannis Kounellis, exh. cat., Templo de San Agustin, Mexico City, November 1999–March 2000, Muca Mòvil,
Mexico City;

                                       · “Enzo Umbaca”, in “Pompeiorama”, No. 3/8, Electa, Naples;

1998                           · Gunther Forg, in Atelier del Bosco di Villa Medici, exh. cat., Accademia di
Francia a Roma, Villa Medici, February 26–April 19, Edizioni Charta, Milan;

                                       · La meteora Matta-Clark: anarchitettura come architettura d’azione, exh. cat., Sergio Casoli Gallery, Rome, May 21–July 15;

                                       · “La città americana quale pretesto per il rinnovamento del linguaggio visivo”, in
Giorcelli, C., Cattarulla, C., Scacchi A. (eds), Città reali e città immaginarie del continente americano,
conference proceedings, Dipartimento Studi Americani Università Roma Tre, March
17-19, Edizioni Associate, Rome;

1997                            · “Arte/Architettura/Città: alcune ipotesi”, in Città Natura, exh. cat., Palazzo delle Esposizioni, Rome, April 21–June 23, Fratelli Palombi Editori, Rome;

                                       · “La metropoli quale pretesto”, in Presente Passato Futuro, exh. catalogue, Biennale di Venezia, Electa, Milan;

                                       · Disegni a mano libera per Ovidio Bompressi, Giorgio Pietrostefani, Adriano Sofri, exh. cat., Opera Paese, Rome,
June 26–July 6;

· “Art as a social sign”, in Dan Graham: Architecture, exh. cat., Camden Arts Centre, London, April 11–May 25, Architectural Association Publications by the AA Print Studio, London;

· “Anarchitettura come architettura d’azione: percorsi e attraversamenti di
Gordon Matta-Clark, Robert Smithson, Dan Graham e Sol LeWitt”, in Pylon: apocalisse dello spazio. Scultura e
Architettura al Celio, exh. cat., October 16, 1997–January 31, 1998,
Edizioni Staurós, Teramo;

1996                           · Dadamaino, exh. cat., Konstruktive und
Konkrete Kunst, Zurich, April 12–June 9;

                                       · “Sol LeWitt e Mario Merz sotto lo sguardo di Jan Dibbets”, in Accumulazioni: Sol LeWitt,
Mario Merz, Jan Dibbets, exh. cat., Zerynthia Associazione per l’Arte
Contemporanea, Paliano (FR), July 22, Carte d’Arte e Zerynthia, Catania;

                                       · “Il concretismo gestuale di Castellani”, in Enrico
Castellani, exh. cat., Palazzo Fabroni, Pistoia, June 8–August 11, Charta,
Milan;

                                       · Dan Graham testi critici, I Libri di Zerynthia, Rome;

1995                           · Ambiente Arancio di Carla Accardi, exh. cat., Pieroni Gallery, Rome, June 1–September 1;

· Emilio Prini, exh. cat., Ancienne Douane, Strasbourg, November
4, 1995–January 14, 1996, Editions Les Musées de la Ville de Strasbourg,
Strasbourg;

1994                           · “Arte Americana dopo il 1945”, in Dizionario
della Pittura e dei Pittori, vol. V, Einaudi, Turin;

                                       · Sol LeWitt testi critici, AEIUO e Incontri
Internazionali d’Arte, Rome;

                                       · “Michael Gitlin”, in Halal Arte Contemporanea da
Israele, exh. cat., Primo Piano Gallery, Sala 1, Studio Bocchi, Rome, March
20-May 7, Fratelli Palombi Editore, Rome;

1993                           · Three Artistic Generations in Contemporary Italy, exh. cat., Tel Aviv Museum of
Art Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv, December 2,
1993-January 8, 1994;

1992                           · Gerhard Richter Montagne, exh. cat., Zerynthia
Associazione per l’Arte Contemporanea, Rome, October 3–December 6;

                                       · “Israele-Arte” in Enciclopedia Italiana di Scienze,
Lettere ed Arti 1979/1992, Istituto della Enciclopedia Italiana, Rome, pp.
795-796;

· “L’utopia della regressione”, in Arte: utopia o regressione?, conference
proceedings, Galleria Nazionale d’Arte Moderna, Republic of San Marino, June
7-8-9, 1991, Mazzotta, Milan;

· Director of the documentary film
“Il Ghetto e Roma”, Lazio Region;

1991                           · Enrico Castellani, exh. cat., Netta Vespignani
Gallery, Rome, February–March, Edizioni Netta Vespignani, Rome;

· Enrico Castellani, exh. cat., Lorenzelli Gallery, Milano, November;

1990                           · “Arte italiana dopo il 1945”, in Dizionario
della Pittura e dei Pittori, vol. II, Einaudi, Turin;

                                       · Enrico Castellani, exh. cat., Poleschi Gallery,
Forte dei Marmi, June-July;

                                       · “L’opera di Gianni Colombo: una stasi apparente”, in “Temporale”, No. 23, Lugano;

1989                           · Enrico Castellani e Francois Morellet,
exh. cat., Giuli Gallery, Lecco, November 1989–January 1990;

                                       · “Enrico Castellani”, in Arca, exh. cat., Castello di Volpaia (SI), September 9 -24, Fattoria Editrice Castello di
Volpaia;

1988                           · Enrico Castellani, exh. cat., Corraini Gallery,
Mantua, Maurizio Corraini Editore, Mantua;

                                       · Enrico Castellani, exh. cat., Galerie Di Meo,
Paris, Febraury 19–March 26;

1987                           · “Artisti e movimenti del XX secolo”, in Dizionario
della Pittura e dei Pittori, vol. I, Einaudi, Turin;

                                       · Franz Kline, exh. cat., Marconi Gallery, Milan, Electa, Milan;

                                       · “Le Corbusier pittore e scultore”, in Le Corbusier. La progettazione come mutamento, Mazzotta Editore, Milan;

                                       · Enrico Castellani, exh.
cat., Totah Gallery, New York, May – June; Totah Gallery, London,  December;

                                       · Piero Dorazio, exh. cat., Niccoli Gallery,
Parma, April 4–May 5;

1986                           · “Il Mausoleo delle Fosse Ardeatine”, in Comunicare
l’Architettura, vol. III, Edizioni Seat, Turin;

                                       · Enrico Castellani, exh. cat., Lorenzelli
Gallery, Milan, March 7;

1985                           · “Il Complesso di Propaganda Fide di Francesco Borromini”, in Comunicare l’Architettura, vol. II, Edizioni Seat, Turin;

                                       · Piero Dorazio, exh. cat., Pinacoteca
Comunale di Ravenna, October 19–December 1, Edizioni Essegi, Ravenna;

1984                           · “L’intuizione appartiene al percorso storico”, in Pinuccia Bernardoni, Grafiche Morandi,
Fusignano (RA);

· Enrico Castellani, exh. cat., Pinacoteca Comunale di Ravenna, June 9–September  16, Edizioni Essegi, Ravenna;

1982                            · Introduction to Da Vinci, L., Trattato della Pittura,
Savelli Editore, Rome;

                                       · “Il caso del Matrimonio Mistico di S. Caterina di B.E. Murillo”, in Quaderni di lavoro della Scuola Spagnola di
Storia e Archeologia a Roma, Rome.

 

 

Talks

 

2023                            · Presentation of the volume “La Sinagoga di Ostia Antica: 60 anni dalla    scoperta, 20 anni di Arte in Memoria”, MEIS
Ferrara, September 10;

· Speaker
“Memory and Memorials”, National Library, Vilnius, September 4;
Speaker “Art in Memory. Dialogue between archeology and contemporary    art”, Vilna Gaon Museum of Jewish History, Vilnius,
September 5;

·Speaker at Summer School, “Il Memoriale dei deportati
italiani. Da      Auschwitz a Firenze”,
Memoriale delle deportazioni, Florence, August 29;

· Speaker at masterclass 
“Progettare la memoria”, Complesso Fabbrica dei Diritti S. Anna di
Stazzema, August 2-5;

· Speaker
“Alla fine vince sempre l’oblio?” Le “pietre d’inciampo” e la forza     delle microstorie, Salone Internazionale
del libro di Torino, May 18;

· Speaker “Arte
in Memoria”, Accademia di San Luca, Rome, February 28;
·
Speaker at “La sinagoga di Ostia: 60 anni dalla scoperta, 20 anni di Arte in
memoria”, conference proceedings, Caffè degli Scavi, Parco archeologico di
Ostia antica, January 29;

· Speaker on Monumenti per difetto, Giornata della
Memoria, Fondazione Ezio De Felice, Napoli, January 27;

2022                            · Speaker
at the conference “Italia,
rifugio precario. In fuga dalla Germania: esuli e profughi ebrei tra le
due guerre del Novecento. La lezione di Klaus Voigt”, Cinema Teatro Troisi,
Nonantola (MO), November 6-7;

                                 · Speaker
at the conference “New
Realities of Jewish Heritage”, Galicia Jewish Museum, Krakow, June 26-27;

                                 · Speaker
at “I Corso di formazione e aggiornamento per accompagnatori del
Memoriale della Shoah di Milano”, Memoriale della Shoah, Milan, May 8;          

· Speaker at the seminar
“Solidarietà, soccorso, incontro con l’altro”, Nonantola (MO), April 13;

· Speaker at the conference “Shoah, memoria e
immaginari”, Complesso Monumentale Chiaromonte-Steri, Palermo, April 5-6;

2021                          · Speaker
at the conference “La sinagoga di Ostia: 60 anni dalla scoperta, 20 anni
di Arte in Memoria”, Cineland, Ostia, October 28;

· Speaker at the conference “Sintesi astratta. Espansioni e risonanze                dell’arte astratta in Italia,
1930-1960”, Università Cattolica, Milan, October 13-14;

                                       · Speaker
at the conference “Adapt
to Reuse”, Moreshet Mantova Seminar, May 11-12 (online);

                                       · Speaker at the conference “Jewish Vilna and Beyond: Contemporary Art and Historical Memory”,
organized by ANU Museum, CAC Vilnius, LCI, April 28 (online);

2020                            · Speech at opening ceremony of Memorial “Davanti a
Villa Emma”, Nonantola (MO), January 18;

2019                            · Speaker
at the conference “Libri
in fuga. Leggere e studiare mentre il mondo brucia. Italia, Europa
(1939-45)”, Cinema Teatro Troisi, Nonantola (MO), November 30-December 1;

· Speaker at the conference “La
memoria per non dimenticare”, Palazzo Ducale, Guastalla (MO), January 29;

· Speaker at the conference
“Quando la storia prende forma e diventa architettura”, Casa dell’architettura,
Rome, March 25;

· Speaker at the conference “A
Difficult Heritage. The Afterlife of Fascist-Era Architecture, Monuments and
Works of Art in Italy”, Bibliotheca Hertziana, American Academy, Rome, March
11-12;

· Speaker
at the conference “Passaggio di testimone: la memoria della Shoah dai
sopravvissuti alle pratiche scolastiche”,
Memoriale della Shoah, Milan, April 15-16;

· Speaker at the symposium “Arte visiva, luogo e memoria:
testimonianza e radicamento”, Italian Institute of German Studies, Polish
Institute, Rome, June 18-19;

2018                           · Speaker
at the conference “Oscar Niemeyer. Memoriali”, Casa dell’Architettura, Rome, February 1;

                                       · Presentation
of the catalogue Sol LeWitt. Between the
Lines, Fondazione Carriero, Milan, March 13;

                                       · Presentation
of the catalogue Sol LeWitt Wall Drawings
Catalogue Raisonné, FLAT Art Book Fair, Turin, November 2;

                                       · Speaker
at the conference “L’esperienza delle pietre d’inciampo in Italia”, Second
National Conference of Public History, Pisa, June 13;

                                       · Presentation
of the book Monuments par défaut. Architecture et mémoire depuis la
Shoah, Memorial de la Shoah, Paris, October 11;

2017                            · Presentation
of the book Calendario civile (ed. Portelli, A.), Teatro Bibiena,
Mantua, September 7;

                                       · Presentation
of the catalogue Jannis Kounellis,
Tel Aviv Museum of Art, Tel Aviv, May 22;

2016                            · Speaker
at the Municipal Council Meeting for the Day of Memory, Palazzo d’Accursio,
Bologna, January 27;

                                       · Speaker
at the International Symposium “El drama de la forma”, Museo Espacio, Aguascalientes
(México), January 30-31;

                                       · Speaker
at the conference “Antico/contemporaneo: sguardi, prospettive, riflessioni
interdisciplinari alla fine della modernità”, La Sapienza Università, Rome, May
23;

                                       · Speaker
at the conference “Davanti a Villa Emma. La costruzione di un luogo per la memoria dei ragazzi
ebrei salvati a Nonantola”, Cinema Teatro Troisi, Nonantola (MO), June 17-18-19;

                                       · Speaker
at the Summer School “Voi che vivete sicuri – Razzismi ed esclusioni. Per una
didattica della Shoah”, Certosa di Pontignano, Siena, August 21-25;

                                       · Speaker
at the conference “Immagini vietate o permesse? Arte ed ebraismo a Roma”,
Centro Bibliografico dell’Unione delle Comunità Ebraiche Italiane, Rome,
November 3;

2015                            · Presentation
of the book Paesaggi della memoria. Il
trauma, lo spazio, la storia by Violi, P., Casa della Memoria e della
Storia, Rome, May 21;

                                       · Speaker
at the conference “Europa+Resistenza. Memoria e progetto in 70 anni dalla Liberazione”, Municipality
of Como, September 12;

                                       · Speaker
at the conference “Arte pubblica e arte della memoria. Quando architettura e arte
s’incontrano”, Fondazione Portaluppi, Milan, November 24;

                                       · Speaker
at the conference “Représenter l’Irreprésentable?”, Passage de Retz, Paris,
December 5-6;

2014                            · Speaker
at the conference “Stolpersteine 2.0. Storia della Shoah e trasmissione della memoria nell’epoca
di Internet”, Goethe-Institut, Turin, February 18-19;

                                       · Speaker
at the conference “Un luogo a questa storia. Per la costruzione di un memoriale
dei ragazzi ebrei salvati a Villa Emma”, Cinema Teatro Troisi, Nonantola (MO),
March 6-7-8;

                                       · Speaker
at the conference “1944-2014: le Fosse Ardeatine 70 anni dopo”, Palazzo
Giustiniani, Rome, March 18;

                                       · Speaker
at the conference “Monuments, Site-Specific Sculpture and Urban Space”,
Ben-Gurion University of the Negev, Beer-Sheva (Israel), December 18;

2013                            · Talk
on “Sol LeWitt: un concettuale realista”, Palazzo delle Esposizioni, Rome, June
13;

2012                            · Presentation
of the book La memoria di Auschwitz.
Storia di un monumento 1957-1967 by Simoncini, G., Casa della Memoria e
della Storia, Rome, January 24;

2011                            · Speaker
at the conference “La Memoria e l’Immagine”, Incontri in Senato, Palazzo
Giustiniani, Rome, October 11;

2010                            · Speaker
at the conference “Dalla vita al museo: beni culturali ebraici in Italia”,
Jewish Book Festival in Italy, Ferrara, April 17-21;

                                       · Talk
on “Musei ebraici: per quale arte?”, European Day of Jewish Culture, Sala
Margana, Rome, September 5;

                                       · Speaker
at the conference “La Memoria e l’Immagine”, Incontri in Senato, Palazzo Madama,
Rome, October 13;

                                       · Talk on
“Arte in sinagoga”, Palazzo Ducale, Genoa, October 14;

2008                            · Speaker
at the conference “Incontro con Heinrich Steiner”, Casa della Memoria e
della Storia, Rome, April 9;

· Speaker at the conference “Rovine
future. Resti e
rifiuti come depositi del possibile”, Università del Salento, Palazzo Granafei Nervegna,
Brindisi, November 6-7;

                                       · Speaker
at the training workshop “Identità diversità memoria”, Teatro dei Dioscuri,
Rome, November 25;

2005                            · Speaker
at the conference “Per l’arte con gli artisti”, tribute to Jole de Sanna, Accademia
di Belle Arti di Brera, Milan, April 13;

                                       · Talk
on “Robert Morris anti-classico” during the exhibition Forme per il David, Galleria dell’Accademia, Florence, November 29,
2004-September 4, 2005;

1997                            · Speaker
at the conference “Città reali e immaginarie del continente americano”, Centro
Studi Americani, Rome, March 17-19;

1995                            · Speaker
at the conference “Arte Identità Confini”, Palazzo delle Esposizioni, Rome,
February 26–March 19;

1992                            · Speaker
at the conference “La nuova critica: situazioni e prospettive”, Galleria d’Arte
Moderna, Rome, March;

1991                            · Speaker
at the conference “Arte: Utopia o Regressione?”, Republic of San Marino, June
7-8-9.

 

Contributor to newspapers, journals and publishing
houses

 

Since 2013               · Contributor
to the monthly magazine “L’indice dei libri del mese”, Turin;

Since
2012               · Contributor
to the monthly magazine “Pagine ebraiche”, Rome;

2000-2007
              · Editor
of the series Design and Art of the ”Universale di architettura”, Testo&Immagine,
Turin;

1989-2005
              · Editor
of Spazi/Arte, column dedicated to
the visual arts in the monthly magazine “L’architettura – cronache e storia”,
RCS, Milan;

1987-2011
              · Contributor
to the daily “Corriere della Sera”, Milan;

1987-1984
              · Contributor
to the magazines “Reporter” and “A.E.I.U.O.”, Rome;

1984-1982
              · Contributor
to the daily “La Repubblica” Emilia-Romagna.

 

 

Languages

 

Italian,
English, Hebrew.